In the Writing Room's Import tab, choose Adapt from an existing Universe.
Pick a source project, a relation (sequel, prequel, continuation, spin-off, remake) and a premise.
What comes across is not a summary you wrote — it is real data:
- Every character, with their state resolved as of the final scene of the source film: injuries, wardrobe, inventory.
- Established locations.
- Story Bible lore and rules.
This is the entry point only a graph-backed system can offer. A sequel that forgets the scar someone earned in Act 3 is the exact continuity failure the state machine exists to prevent, and here it cannot happen — the continuity block is written into the draft as canon, not suggestion.
With a language model configured you get prose. Without one you get a beat scaffold that still carries all the real continuity, clearly labelled as a scaffold.